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Courage of the Classics

Tuesday, 30 April 2013 15:51 Janis Stone
By MATT STARR
MTVarts Classics Series Chair
 
The Classics Series was designed as a truly community service based faction of MTVarts. With Bruce Jacklin & Companies' comedies and cabarets at the Alcove Dinner Theater, audiences don’t have to think (or want to think) and are able to escape life for a few hours and enjoy an evening out. The Broadway musical that MTVarts brings each summer draws sold-out crowds and is developed for entertainment for the whole family. We started the Classics Series six years ago in order to offer American literary classics to our community members who wanted something “heavier” than the other programs. Also, this was developed to augment the classroom setting for high school and college students who were reading these stories in school. Having a program devoted to more serious dramatic story-telling is a unique feature that our community has. Who knows why the classics are less popular in this community than the other theatrical productions? However, this year, MTVarts presentation of John Steinbeck’s Of Mice and Men will be performed for nearly 600 high school students from the area who have read the story being performed on stage.
 Taking on difficult pieces of literature requires a great deal of courage. On top of that, those who invest in these productions are also courageous because of the sensitive nature of the material. MTVarts would not have been able to perform this year’s production without the generosity of Mr. and Mrs. Joe Mortellaro of Mortellaro’s McDonald’s or the Youth Philanthropy Initiative of the Community Foundation of Mount Vernon and Knox County. Performing artists get to do what we do because of visionaries like these two organizations who understand the tremendous responsibility that creating art plays in our lives and that having diverse and challenging material adds significant value to the quality of life in our community. 
As the Classics Series Chair, I see each of our productions getting better every year. Again, I am proud of this production team and the MTVarts family. Also, I am humbled by the generosity of our sponsors. I urge you, our audience members, to please thank Mortellaro McDonald’s and the Youth Philanthropy Initiative of the Community Foundation of Mount Vernon and Knox County, for their community-mindedness and courage to bring you this story.
 

April News

Wednesday, 10 April 2013 17:34 Janis Stone
"April is officially National Humor Month, a month to celebrate the joy and laugher in life. Conveniently, it's also Stress Awareness Month, which makes it an ideal time to laugh away the stress in your life! Kicking things off with April Fools Day and ending with National Honesty Day, April is a fun, nurture-your-psyche month, all month long!"
 
Here is what is happening in April with our MTVarts world . . .
 
Diane and Corey hosted the audition help session at St. Paul's Episcopal Church.   Scott, Jen and Leah are handling the online audition registrations for THE MUSIC MAN, all the contracts are signed and rent paid for the Memorial.  Join the parade April 20 . . . and AUDITION!
 
Aaron and Steve deconstructed the barn donated by Dana's mother - thanks Linda, never thought I would be writting an in-kind receipt for a barn - and it is now at the warehouse ready to be transformed. Check out the director and actor blogs on The Classic Series OF MICE AND MEN. My calendar is marked and I am eager to see the finished show, join me and invite your friends.
 
JJ and his production team are hard at work with the ground work of production planning. The kids are selling bracelets, planning an art show and brainstorming for other ways to raise awareness and fund raise. Bruce is wrangling all that creative energy to help the kids pull together a cohesive vision for the show. 
We received great news that the folks at Theatrical Rights Worldwide as well as the composers/lyricists/ playwrights Mark Freidman and Janet Vogt will be flying in for HOW I BECAME A PIRATE in September. The author Melinda Long is also trying to clear her calendar to join us. Seeing the support mount is a little overwhelming. Dreams become reality when someone believes!  JJ, it is really happening! Come in September and witness first hand what believing can accomplish.
 
Partners are busy as well. Matt received the letter awarding NEITZSCHE ATE HERE entry into the Montreal World Film Festival. Ian is directing LEADING LADIES at the Alcove and Leah is directing ANYTHING GOES at the Naz.
 
So let's be honest, if you need to relieve stress, laugh or celebrate joy, you should look to MTVarts.

 

 

A Breath of New Life into an Old Barn

Friday, 05 April 2013 19:03 Aaron Moreland

During the creation of the vision for "of Mice and Men" it was very evident that the set would play an important role in telling the story.  One reason for this was due to the size of The Memorial Theater in Mount Vernon but more importantly due to the fact that we are trying to immerse the audience in the lives of the 1930's migrant worker. 

 

On a farm, the barn is an opposing structure.  It is a symbol of hard work, tilled earth and callused hands.  It was quickly apparent to me and the designers that we would need that opposing structure to take up the stage, to always be there reminding the workers of what they are there to do and that dreams are just that . . .dreams.  I also wanted this structure to feel weathered and worn not unlike the characters of our play.  The answer was to find an old fallen barn that would have that natural aged look.  

 

After many weeks of driving around country roads and knocking on doors only to have no one be home or to be looked at like I was crazy, it was modern technology that helped us find what we were looking for . . .Facebook.  An old high school friend and MTVarts member (Dana Kemmer) heeded my Facebook call and rescued my poor car from having to drive down anymore dirt roads.  Dana's mother Linda was kind enough to donate a barn on her property for our production. 

 

photo 2

 

 

Over the last week we have been taking the barn down, stripping it to its beams, prying off siding and smiling all the time.  It is perfect!  I was lucky enough to speak with the woman whose father built this barn in the 1960's. What was most interesting to me was that he used wood from an old barn to build it.  So who knows, maybe the wood in this old barn is from the time period of our play!

 

photo 1

 

As we get this barn down to its foundation it strikes me that the history of this timber will be with us on stage.  This wood will be used not only for the imposing backdrop but also for the tables, the chairs, the crates, the bunks and the beds.  It will be adding its flavor to the story and bringing with it the sweat of the people who have worked this wood in the past, those who planed it, who nailed it, who painted it.  

All of them there to help us tell this story.   

photo-1

 

 

 

 

 

Creating LENNIE’s World

Wednesday, 20 March 2013 03:21 Matt Starr

In preparing for my role as LENNIE in John Steinbeck’s masterpiece, Of Mice and Men, I’m often reminded of many people with whom I worked in graduate school and with the State of Ohio Department of Developmental Disabilities in the 1980’s, 90’s, and 00’s. While studying for my Master’s Degree, I worked with children and adults with disabilities in a physical activities program at Kent State University. After graduation, I began my career for the State of Ohio as a Recreation Director for over 300 men and women with intellectual, physical, and emotional disabilities. I didn’t know it then, but this really was the beginning of developing my interpretation of LENNIE.

He is a real person with lovable qualities that make him endearing. Through his eyes, I see the world through the men and women I served for 15 years as they often times struggled to find inner peace and a zest for living after they were dropped off at the State Hospital’s doorstep when they were as young as eight years-old. “Hospital” is a hopeful term, but in most cases, their world was never the case. If you ever saw One Flew Over the Cuckoo’s Nest, that’s how life was for many of the people when they were children and young adults who would become my friends. By the time I arrived, the old wards were turned into more attractive living areas, but the brick and mortar breathed memories reminding us of the more frequent, unpleasant times in their formative years.

Steinbeck refers to George and others “socking” LENNIE, playing jokes on him, and having fun at LENNIE’s expense. It should come to know surprise that, even today, people with disabilities are 10 times more likely to be abused than those in the non-disabled population. While LENNIE is a fictional character, I can easily imagine him being the target of abuse from family, friends, and other social deviant predators. The memories that he has (I believe) are the memories of gentlemen I knew who were subjected to some of the worst conditions that humanity had to offer (all under the guise of “treatment.)” Yet, through it all, my friends (like LENNIE) had and still have their dreams of a better place.

For the guys I served, their “better places” were as unique to each of them. One thing was common – they all wanted to escape the entrapment of the institution. In essence, those dreams are like LENNIE’s – having a little place with a house, a garden, some pigeons, a cow and rabbits, a place where he and his best friend can live off the fat of the land. And if LENNIE and GEORGE didn’t want to go to work, they wouldn’t, but it would be their own. The American Dream is in each of us and is allusive to all of us. But, by God, nobody has the right to take away our dreams.

One of my favorite memories as my agency’s Recreation Director occurred with six guys who I accompanied on an overnight biking trip. After arriving, setting up camp, playing football, and enjoying a meal cooked over the campfire, we all laughed, joked, and enjoyed talking about stories from childhood to present day. At one point where there was an awkward moment of silence around the campfire, one of the guys leaned back, stretched, sighed, and said, “You know, Matt, this is the life.” That moment stands out in my mind as a lesson that it is the simple pleasures that count. That single moment mirrors the opening scene as GEORGE and LENNIE are lying under the stars, before reporting to work the next morning, living free – without a care in the world. These men understood that. LENNIE understands that, and no matter what our picture of the American Dream is, it’s sharing the simple pleasures with each other that really matter in the end. Life is meant to be shared with others who care about us and about whom we care.

People often ask me what my favorite role is that I have played. By far, LENNIE holds a special place in my heart because of the many extraordinary people in my life who taught me what is really important.

 

Directing "of Mice and Men"

Sunday, 10 March 2013 15:22 Aaron Moreland

Hello,

Aaron Moreland here.  I was born and raised right outside Mount Vernon in luxurious Sparta, Ohio. :)  I first discovered my love for acting in the 7th grade in a local Mount Vernon Production of "Gypsy"  The love I developed years ago has taken me all over the country performing in Musicals, National Tours,  Outdoor Drama, Independent Film and so much more.  But . . .if there was one area of all of performance art that I could say I connected with the most it would be "The Classics”

What makes a classic?

To me, a classic is a piece that any audience can relate and emotionally attach to regardless of how long ago it was written, regardless of the subject matter, regardless of the class of the people or the language spoken.  It is the underlying truth of humanity that lies beneath the text, beneath the story and inside the characters that reverberate in one’s soul. It keeps you thinking and asking questions long after the curtain has fallen. 

I have been lucky enough in my life to experience acting in a few such classics. (Romeo & Juliet, The Crucible, The Miracle Worker, Everyman, etc.) I have also been fortunate enough to see some amazing productions of these life changing works.  (Hamlet, Oedipus Rex, The Glass Menagerie, Street Car Named Desire, etc.)

I am extremely happy to be back in the area that spawned my intense love for the performance arts as director of MTVarts' Classic Series "of Mice and Men".

Of Mice and Men is a classic in every sense of the word and especially relevant today.  Set in the middle of our country's Great Depression is shines a light on the everyman.  The men that traveled extensively looking for any work they could find.  These men accepted the loneliness of the road and the constant changing landscape.  They accepted the isolation of no family and no future but hard work.  It was a tough time.  Not unlike the time we are slowly crawling out of.  Where work has been uncertain and scores of people in this country would do anything for a job that can put food on the table.  It also deals with the bond that can form between unlikely friends and the compassion that strangers can feel for each other.  It especially deals with hope and the tragic events that can destroy it.

Please watch this space as we share with you the journey that we as artists are making to bring this play to you.  Our journey becomes your journey and we all arrive together.

Aaron

 

 

 

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